All the public events in the series Southeast Asian Cinema and Its Diaspora: Theory/Praxis/Politics (2022-24) that I hosted and co-hosted at the University of Minnesota are listed in the slideshows. Highlights include events such as webinar roundtables and free SEA film screenings for the audience in the Twin Cities. All of the events were funded by the Imagine Fund Special Events, Institute for Advanced Study at the University of Minnesota. I sincerely thank my co-organizer, co-moderator, Elizabeth Wijaya (Assistant Professor, Department of Visual Studies, University of Toronto) and staffs at the Asian Institute for all the wonderful collaboration and support.
Please look forward to a dossier that we will prepare to conclude all the wonderful conversations we had with the panelists over various topics such as film censorship in Asia, migration and labor, and institutional and non-institutional archival labor in Southeast Asian cinema.
Creative Collaboration





FREETIME (2022)
Artist residency project by Anocha Suwichakornpong at the Walker Art Center, Minneapolis.
I participated as a subtitle editor and controllerin this live staged performance of Suwichakornpong’s new film project. The staging of the texts on the screen used as a backdrop of a theatrical space mimics the way in which subtitles are shown in movies. The synchronous liveness of the text that needs to match the dialogue spoken on stage complicates, nonetheless, the boundary of performance in cinema and theater. The subtitle controller acted in conjunction with the actresses on stage, and yet, remained in the dark, on the top row of the theater.
Public Events
hosted by Comparative Literature, Faculty of Arts, Chulalongkorn University. Moderator was Associate Professor Thosaeng Chaochuti. Discussants included Kong Rithdee, Thailand’s leading film critic and Deputy Director of the Thai Film Archive; Dr. Graiwoot Chulpongsathorn, lecturer at the Faculty of Communication Arts, Chulalongkorn University; and Chalida Uabumrungjit, Director of the Thai Film Archive, film festival programmer and film producer. The lecture and discussion are in Thai. For better resolution, the recording of this Facebook Live was posted to CompLit Chula Facebook page.
I spoke with Asia Society film curator Inney Prakash about R.D. Pestonji’s surreal, freewheeling comedy Country Hotel (1957), as part of Asia Society’s Films to See Before You Die. Prakash and I discussed the impact and legacy of Pestonji in the Thai film industry. (26 min., 18 sec.) See the video at https://asiasociety.org/video/country-hotel-film-discussion












